Electronic Media Published: 09-18-95 OPTIONS FOR MORE TV DIGITAL DATA;IF FCC OPENS DOOR, HERE ARE SOME ROUTES YOU CAN TAKE Byline: Joe Fedele Last month I sounded off about the Federal Communications Commission politics that are keeping broadcasters from having more leeway to insert digital data into their TV transmissions. This month I'd like to lay out the technical options for inserting data into TV pictures. Putting digital data into a TV picture is nothing new. For years, broadcasters have used the vertical blanking interval for closed-captioning and the ghost canceling reference. Existing FCC rules permit these services because they lie within the first 21 lines of video. This ``hidden'' data in the VBI is not viewable on consumer-grade TV sets. Another way to hide data involves line 22, the first active line of video immediately following the VBI. The FCC has already authorized line 22 to be used for the electronic verification of broadcasts. This sets up time- and date-stamps for commercials while checking the presence of audio and video for commercial verification purposes. While this data lies just outside of the VBI it remains within the ``overscan'' region of the video, which is the area used to mask the narrow black border that surrounds the picture. Because overscanning provides a buffer zone that wraps completely around the entire picture, it is possible to hide data on the top, bottom, left and right margins of video. Another, more sophisticated method of hiding data, is called ``sub-video.'' This system conceals data by distributing it throughout the visible picture. The amplitudes, or strength, of the data is kept low enough that it is invisible to the viewer. However, if you attempt to strip out the data some video degradation occurs. The cumulative effect of repeatedly deleting data from video that is retransmitted could become noticeable over several generations. This could spell trouble for sub-video proponents because the FCC is insistent upon ensuring the highest quality video. The overscan method, on the other hand, inserts data at specific places in the picture that are easily deleted by the licensee without any picture degradation. The sub-video method also limits the ability of TV licensees to easily control the ancillary communications, because the data is not as easily extracted as in the case of the VBI method. That's a sticking point with the FCC, which maintains that licensees ``must maintain control over all aspects of their signal,'' including data transmissions within the video. The FCC takes the position that broadcasters should not be allowed to ``relinquish to the data or program supplier the right to delete the data.'' I tend to agree with the commission on this matter. If broadcasters are to be held accountable for what they have on the air, they must have the ability to control it. Data rates used by these insertion techniques range from between 384 Kbps and 1.544 Mbps. With this kind of technology, broadcasters need not wait for high-definition television to get a head start on such interactive services as electronic TV listings, promotional information and home shopping information. Of course, none of this will happen until the FCC gives broadcasters the freedom to use what they are already licensed for, namely, ``to serve the public interest.''